Fiona Clarke

After graduating from the Royal Academy of Music Fiona Clarke worked as a professional consort singer with The Sixteen, the Gabrieli Consort, the King’s Consort and the BBC Singers.  Her work with these groups took her all over the world including Japan, Australia, Israel, America, Canada, Europe and onto numerous recordings.

Her solo singing career includes recent performances of Brahms Requiem, Dvorak Stabat Mater, Monteverdi Vespers, Bach B Minor Mass, Mozart Requiem, Carmina Burana, Handel’s Messiah and Rutter Requiem.

Her present singing career continues to include some consort work and singing on the backing tracks of a variety of films, including Chicken Run, Charlie and the Chocolate Factory, the Curse of the Were Rabbit, The Omen, and the Da Vinci Code.

As Musical Director of the Salisbury Community Choir (a post she held for 10 years) Fiona travelled to Poland, Germany, France and South Africa where they performed the African premiere of  Karl Jenkins’ The Armed Man: A Mass for Peace on Freedom Day with a number of other choirs in and around the Cape Town area.  This project was named ‘A Rainbow Choir for a Rainbow Nation’ by Archbishop Desmond Tutu.  Members of Salisbury Community Choir have most recently returned from New York where they performed The Armed Man with an international group of singers in the Carnegie Hall.  While they were in New York they also gave a workshop in Mott Haven Village Preparatory High School in The Bronx. 

For her work with the Community Choir Fiona was recently awarded Wiltshire Life’s ‘Artist/Musician of the Year’.   Fiona was a keynote speaker at last year’s Making Music Conference in Manchester.

Fiona teaches singing both at Salisbury Cathedral School and Bryanston School and gave a master class and private lessons on this year‘s Eton Choral Course.
She is in demand as a workshop leader both locally and nationally working with both adults and children in Manchester, Bristol, Ipswich, Dorchester, London and Stoke-on-Trent.  She worked for Glyndebourne Opera on a schools project of ‘The Magic Flute’ and with the Orchestra of the Age of Enlightenment on a project with Purcell‘s ‘Dido and Aeneas‘ and Handel‘s Messiah.